DAWN OF THE PLANET OF THE APES

On the silver screen: ‘Dawn of the Planet of the Apes’ is the best movie this summer

Thursday July 24, 2014 | By:Tony Baksa |

It’s all about trust. That’s not a bad value to dramatize. Who would think that a multitude of apes could deliver such a noble message? Well, when handled by a score of super-talented film makers – message received.

“Dawn of the Planet of the Apes” has got to be the best in its current franchise. Acted and directed with skill and unending craft, this movie brings a ridiculous story to believability. What a great adventure and what great lessons to be learned. Along with trust, we are served generous portions of loyalty, family, cooperation and, of course, love.

In the wake of a global sweeping virus that decimated most of humanity, a pack of survivors come across a population of apes quickly evolving toward human traits, i.e. speech and motor abilities. In the devastating ruins of San Francisco, this troop of humans, led by Malcolm (Jason Clarke), work tirelessly to restore power to the city and begin the business of rebuilding humankind. The apes, mistrusting humans and their guns, want to destroy them and own the world in peace and harmony. Caesar (Andy Serkis), the appropriately named head ape, has a particular affinity toward human beings which was established in “Rise of the Planet of the Apes.” Here’s where issues of trust and peaceful coexistence butt heads with the killer factions of apes and the humans who want an all-out war that will determine only one victor. They are not eager for compromise. They will never trust one another. The world can only belong to one species – humans or apes. War is inevitable, or is it?

Caesar has a past that includes favorable memories of his life with humans. This is his conflict – how to trust these desperate human survivors and help them rebuild their world. Where, then, does that leave the apes? Will humankind make the same mistakes – destroy the world again and the ape population along with it?

Although this is a sequel, one need not see “Rise of the Planet of the Apes” to thoroughly enjoy this fantastic movie. I did not see it and never felt out of it. I do plan on renting it solely on the merits of “Dawn of the Planet of the Apes.” It’s that good.

Serkis as Caesar is very good. Considering the realistic makeup, use of puppetry and the process of “motion capture,” he manages to give an unusual and amazingly subtle performance. In fact, all the lead apes are extraordinary, as is the makeup design. You will have no trouble distinguishing one ape from the other. Standouts are Toby Kebbell as Koba, Nick Thurston as Blue Eyes and Karin Konoval as Maurice. On the human side, Jason Clarke as human head honcho has a monopoly on compassion. I haven’t seen such a caring face since Schindler. I’d trust him with my dog – no questions asked. His face would be enough. Equally human, in all the right ways, is Kerri Russell as Ellie, a loving and nurturing soul. The bad humans are well played by Kirk Acevedo, the obligatory hothead, and Gary Oldman – is he ever good?

Matt Reeves directs with a sturdy vision. This is Reeves’ first major film as director. I am happy to report he will direct the next Planet of the Apes movie, as well.

An important element to the success of “Dawn of the Planet of the Apes” is the score. Composed by Michael Giacchino, the music does what a film score should do – compel and supply tension – manipulate the audience into understanding purely through emotion. The fringe benefit of a Giacchino soundtrack, as always, is its sheer beauty. There is also a strange beauty in the visuals. The ruins of the city, the forest and the interiors blend cohesively into a realistic setting. Special effects are phenomenal, especially the use of “motion capture” and seamless CGI.

“Dawn of the Planet of the Apes” now moves to the top of my summer movies list as great entertainment with the added feature of great lessons to be learned. But don’t tell the kids that. You wouldn’t want to discourage them from enjoying this thrilling movie by saying, “It’s good for you.”

“Dawn of the Planet of the Apes” is in theaters

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Jersey Boys

On the silver screen: ‘Jersey Boys:’ Not a musical, but a good time


Wednesday July 9, 2014 | By:Tony Baksa | News



When “Jersey Boys” opened on Broadway eight years ago, it was promoted as a musical. It is not a musical. “Jersey Boys” is still running on the Broadway stage, to great success. It is still being promoted as a musical. The perception by all who intend to see it on the boards, whether on Broadway or its national tour, is that it is a musical. It is not a musical. It is a play with music. Now it is a film with music – lots of music but it is not a musical.


Directed by Clint Eastwood, “Jersey Boys” the movie, is a very effective drama about the rise and fall and rise again of Frankie Valli and The Four Seasons. Yes, there are plenty of songs to be heard in this entertaining biopic. But there also is plenty of drama. It really gets heavy, in the second half of the film. The sparks fly as the cast delightfully chew the scenery. It is great fun to watch.
“Jersey Boys” is, in many ways, an old-fashioned movie about entertainers. You can see something like this almost every night on television’s TCM channel. It is very much a formula script, with all the cliché’s kept intact. There’s the expected feuding and fighting among the band members, the usual domestic quarrels with the wife and the guilt at neglecting the children, due to career demands. It is all on hand, masterfully acted and directed, resulting in a swell time at the movies.
And then there’s the music — all the hits from “Sherry” to “Big Girls Don’t Cry” to the show-stopping “Can’t Take My Eyes Off You.”


It is performed by the very talented cast - no dubbing or lip-synching to the original group. Repeating his Tony award-winning performance as Frankie Valli, John Lloyd Young is simply wonderful. However, Vincent Piazza as Tommy DeVito, the band member who is most responsible for creating the Four Seasons, almost walks off with the movie. He gives a star-making performance! Also exceptional are the other two band members; Erich Bergen, as composer Bob Gaudio and Nick Massi, as Mike Lomenda, the unhappy bass singer who just wants to live a normal life.
The movie moves along briskly. Despite its show biz cliché’s, “Jersey Boys” has some surprising elements, regarding a very sad chapter in Valli’s life. This sad turn only enriches the drama and adds credence to the story. Adding even more credibility to “Jersey Boys” are Frankie Valli and Bob Gaudio as producers.


Whether or not you are a fan of The Four Seasons, “Jersey Boys” will entertain. With a sharp script by veteran screenwriter Marshall Brickman, amusing supporting performances by Christopher Walken and Mike Doyle, “Jersey Boys” delivers a solid entertainment.
A fun tidbit for baby boomers: Barry Livingston of “My Three Sons” fame appears briefly yet substantially in two highly charged scenes. No longer little Ernie, see if you recognize him.


Jersey Boys” is currently in theaters.



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Chef

On the Silver Screen: ‘Chef’ is delectable

Thursday July 3, 2014 | By:Tony Baksa |

There is a whole genre of movies known affectionately as “foodie films.” Movies Like “Water for Chocolate,” “Eat Pray Love,” Babette’s Feast” and “Eat Drink Man Woman” use food as a metaphor, yet engage our senses in the most basic and delightful ways. “Chef” joins that pantheon of “foodie films.” Like its predecessors, “Chef” sent me out of the theater craving something to eat. In this particular case, a Cuban sandwich or cubano.

I will add “Chef” to another category known as the “likable” movie. It can be on the same list as “About A Boy,” “ET,” “Driving Miss Daisy,” “On Golden Pond” and the like. These films have an irresistible quality and a certain authenticity of human emotion that compels us to look favorably upon them. I look very favorably upon “Chef.”

This is a smart, sweet and nice film about nice people wanting happiness through honest endeavor and true merit. It is also a very funny movie, written, directed and starring Jon Favreau in the most surprising performance of the year so far.

Favreau plays a chef in an upscale restaurant. As a chef, he has gained a fair amount of fame and praise from Los Angeles’ most renown food critic, played by the always spot-on Oliver Platt. After 5 years of praise, the food critic revisits the restaurant to reassess the chef’s culinary skills, with hopes that his favorite chef is still pushing the envelope.

What stands in the way is the eatery’s owner, marvelously played by Dustin Hoffman in a sensational cameo. Seems he subscribes to the belief “if it ain’t broke, don’t fix it.” Chef however wants to “fix it.” What ensues after this set up is unpredictable, funny, surprisingly dramatic and heartwarming.

Yes, it is a feel-good movie, but of the highest caliber. Not corny, not pandering, just a lovely slice of humanity. Thrown in is a healthy dose of commentary on social media that is wisely stated and completely convincing. And there’s the food – ah, the food – mouthwateringly convincing, as well.

“Chef” starts out as a situation comedy, then transitions into being a road movie, then transitions again into a humorous study of familial love and ends with a rather inevitable climax that we the audience see coming but are thankful that we were right.

The cast is pitch perfect. Sofia Vergara shows a soft, lovely side we never get to see on “Modern Family.” John Leguizamo effortlessly portrays Favreau’s sidekick with nary a false note. Emjay Anthony as the chef’s young son is in a word - remarkable. My only quibble is that Robert Downey Jr.’s character is written so out of sync with the rest of this sweet-natured film. Acted out of sync as well, it is a brief vulgar bump in an essentially fine comedy of heart and quiet triumph.

As for Jon Favreau, he is simply great. As a writer, director and especially actor, I feel Favreau has finally come of age, as an artist. His talent has matured considerably. He may just be on an upward trend of filmmaking, giving us a body of work that could approach the likes of such auteurs as Woody Allen and Mel Brooks. Whatever the case, “Chef” stands on its own as an original work of quality that will delight and amuse all who choose to see it.

Take a break from the summer superheroes and enjoy a fine comedy about a super chef that is superhuman. “Chef” is currently in theaters.