REVIEWS

I believe movies are the literature of our times. Like books, they tell a story. Unlike books, however, movies employ almost all of our senses. It allows us to actively choose our pleasure. I disagree with those who say movie viewing is passive. Nothing is passive when creativity is involved. We participate with our eyes, ears, brain and heart.

This blog contains my published reviews that appear frequently in The Sun and other MetroWNY publications. I will also add new content not published in the papers. My critiques will deal with not only movies but television, recordings, concerts, theater and other cultural - pop or otherwise - events.

I welcome feedback and debate. I would wholeheartedly enjoy a "conversation" with any reader who agrees or disagrees with my reviews.

Thanks for reading.

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Saturday, February 21, 2015

Into The Woods

The Sun movie review: ‘Into the Woods’ is a magical trip

Four suns.

“Once Upon a time in a far off kingdom” ... and so it begins. “Into the Woods” they go to reverse a bitter witch’s curse. What a musical fantasy delight this movie is; A story that works on several levels jam-packed with life lessons for adults and children alike.

The songs weave a spell of intrigue. The characters – all from different fairy tales – converge in a clever plot, which involves coming together for a common good. Of course, as they meet in the woods, conflict and peril unfolds everywhere.

The plot is set in motion when a baker and his wife are visited by their neighbor, an angry witch who has been cursed with ugliness by her mother due to past deeds involving a garden, the baker’s father and other dark secrets. In retaliation, she has rendered the couple childless. They never knew of this wicked spell. Due to the actions of the baker’s absent father, the witch stole the baker’s baby sister and raised her. He did not know he had a sister – Rapunzel.

As the story unfolds, Cinderella, her stepmother and stepsisters, two Prince Charmings, Little Red Riding Hood, her granny and the wolf, Jack of the bean stalk and two furious giants fill out the cast of characters to take the audience on an exciting and haunting journey. The goal is to reverse the curse and bring on a “happily ever after” ending for everybody, including the witch.

Well, we get that happy ending in the middle of the movie! But wait – you know the old saying “Be careful what you wish for?” The second half of the story deals with discontent and payback. Having upset the tranquility of the giant’s kingdom, Jack is wanted as retribution. So, back into the woods this collection of fairy tale characters go to hide young Jack and plot their defense against the angry giant. The scenes of blame and accusation, of hurt and loss, of sweet lessons learned, are wondrous.

Directed by Academy Award winner, Rob Marshall (“Chicago”), Into the Woods has his stamp of luscious visuals and wit. The cast is perfect. What a treat to have a musical where everyone can actually sing. No talk-singing or trick techy nonsense to disguise a star’s lack of musicality. Meryl Streep as the witch is a revelation. We all know what a great actress she is. Her singing in “Mama Mia” didn’t even hint at the tremendous power and dramatic force she delivers in song. Also outstanding is Lilla Crawford as Little Red Riding Hood and Daniel Huttlestone as Jack. Surprising in their own right are performances by Emily Blunt, Chris Pine and James Corden.

Broadway’s genius composer Stephen Sondheim has never been properly served in movies – until now. His philosophy, humor and humanity displayed in his clever lyrics, plus his beautifully unique melodies, have had a difficult time in past transfers to film. This time, they got it right.

“Into the Woods “is currently in theaters.


http://www.thesunnews.net/news/383-'Into_the_Woods'_is_a_magical_trip.html

Wednesday, February 4, 2015

Annie

The Sun movie review: Updated ‘Annie’ falls flat

One Sun

Little Orphan Annie, Daddy Warbucks and Sandy the dog started out as comic strip characters in the Great Depression. Vastly popular, this comic strip brought optimism to a bleak period in our history. Annie, the eternal optimist with the big round eyes and big red hair has never left us. She has seen the lights of Broadway in what has become a classic musical. Filmed in 1982 with a star-studded cast and then again as a television special, also with a star-studded cast, Annie and friends continued to gain admirers.

Now, a newly reimagined “Annie” has hit the silver screen with a thud. This lackluster production has subtracted everything from the original that was charming and relevant. Not only have the characters been changed and renamed – except for Annie, of course – but the classic score has been so altered that the songs are unrecognizable. I am not a purist, but this is ridiculous.

The updated plot revolves around Annie who, in this version, is no longer an orphan. She is now a foster child. Annie pines for her biological parents, as in the original. She shares a cramped bedroom with several other foster children – all girls under the supervision of mean Miss Hannigan, dreadfully played by Cameron Diaz. On her daily excursions in looking for her parents, she encounters Mr. Stacks, a cell phone tycoon with political aspirations. For some stupid reason, he takes our little waif into his home for media coverage, in hopes it will soften his public image and get him elected as mayor. Annie goes from Hannigan’s dreary New York City tenement to Stacks’ high-tech penthouse. Of course, the predictable happens, as lovable Annie melts Mr. Stack’s cold heart. Along the way, we are assaulted with the worst musical numbers I have ever witnessed on screen. Lacking production value and with the most awkward staging, the songs fall as flat as the performances.

The cast appears clueless. The performances are so weak as to be nonexistent. To be fair, the actors, all good in other movies, have apparently been left to their own devices without any direction. Produced, written and directed by Will Gluck, this vanity production is so wrongheaded. What a missed opportunity to bring this delightful musical to a new generation. Jamie Foxx seems to be sleepwalking through his part. Rose Byrne, as his assistant and long suffering secret admirer, is zombie-like, in this flattened-out film.

The usually wonderful Bobby Cannaval is awful as a crooked opportunist. Quvenzshane Wallis as Annie has energy to spare and too many smiles to bare. She’s cute, is the kindest thing I can say for her performance.

With songs like the iconic “Tomorrow” plus “Hard Knock Life” and “Maybe” so unrecognizable in their updated treatments, one wonders why Gluck and company were inspired to remake “Annie.” Did they think they could improve on an already good thing with newly written, extremely inferior songs? Or did they believe they could make it better by adding a superfluous car chase?

To see “Annie” at her best, check out the 1982 film version, directed by the great John Huston starring Carol Burnett and Albert Finney, or the 1999 TV film directed by Rob Marshall starring Cathy Bates. These are available on cable and streaming on syndication services.

There is also a national tour of the stage play coming our way this year. All three options are better bets, to see “Annie” in all her rightful glory.

“Annie” is currently in theaters.

http://www.thesunnews.net/scene/516-The_Sun_movie_review_Updated_'Annie_falls_flat.html