REVIEWS

I believe movies are the literature of our times. Like books, they tell a story. Unlike books, however, movies employ almost all of our senses. It allows us to actively choose our pleasure. I disagree with those who say movie viewing is passive. Nothing is passive when creativity is involved. We participate with our eyes, ears, brain and heart.

This blog contains my published reviews that appear frequently in The Sun and other MetroWNY publications. I will also add new content not published in the papers. My critiques will deal with not only movies but television, recordings, concerts, theater and other cultural - pop or otherwise - events.

I welcome feedback and debate. I would wholeheartedly enjoy a "conversation" with any reader who agrees or disagrees with my reviews.

Thanks for reading.

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Thursday, July 23, 2015

INSIDE OUT

‘Inside Out’ brings childhood anxieties to life

Disney/Pixar has created a classic. “Inside Out” is compelling in its originality and deeply moving. It is the story of an 11-year-old girl’s journey through depression. Funny and sad, “Inside Out” tackles this delicate subject matter in a most surprising and entertaining way.

Young Riley is uprooted from her suburban home in Minnesota to San Francisco, due to her dad’s job transfer and she is faced with the reality of building a new life. The cleverness of this movie cannot be overstated. As Riley sinks into unhappiness, her inner voices become characters – Fear, Anger, Disgust, Joy and Sadness. Expertly voiced by a brilliant and expressive cast, “Inside Out” is profound, intelligent and speaks to all ages.

Front and center are Joy battling Sadness – not in a mean, cartoonish way, but gentle and loving. We learn that Joy and Sadness are necessary allies for Riley’s well-being. Fear, Disgust and Anger cannot be dismissed and also aid in motivating Riley to adjust to her circumstances.

Beautifully animated and filled with delightful characters, “Inside Out” succeeds in bringing childhood anxieties to life. The surprising level of suspense supplies an irresistible momentum that is breathtaking.

Standouts include Bing Bong, Riley’s imaginary friend that still lingers in her memory, even though she has outgrown such things. Voiced by Richard Kind, Bing Bong is sweet and funny and ultimately touching. Sadness, voiced by Phyllis Smith, is the star of the show. She is strangely loveable and completely necessary. Her chemistry with Joy, voiced by Amy Poehler, is the engine that runs the movie.

Credit co-directors Peter Docter and Ronaldo Del Carmen, along with their team of writers, for the abundance of imagination brimming over in this remarkable film. Essential to the emotional life of this movie is the delicate score composed by Michael Giacchino.

Be prepared to laugh. “Inside Out” is very funny. Be prepared to cry— several times— as “Inside Out” astonishes you with its power.

Tuesday, July 7, 2015

San Andreas


San Andreas – a movie review by Tony Baksa – 6/10/2015

3 Suns

It was with a cozy touch of nostalgia that I viewed “San Andreas”. We, of a certain age, remember the rash of what was labeled “disaster films” a few decades ago.  “The Towering Inferno”,” Airplane”,” Hurricane” and “Earthquake” were just a few of the more successful films of this genre.  Director Brad Peyton returns us to an updated hi-tech disaster earthquake that will blow your mind. In this summer’s first official blockbuster, California is decimated by the mother of all earthquakes.  

Scientists have gone on record stating most of what we see here is improbable.  Who cares.” San Andreas” is a highly entertaining visual and visceral feast.  Starring Dwayne Johnson and Carla Gugino, this roller coaster ride is fun from start to finish.  High rises topple, tsunamis overwhelm, streets and houses crumble, Hoover Dam is destroyed. Failed and successful rescue attempts abound. To use a well-worn cliché’ – there is never a dull moment.

Well, hardly ever if you can ignore the corny personal dramas of the stock characters. Trust me, this you can do.  I won’t even bother recounting these scenarios. They really are beside the point.  The obvious mission of “San Andreas” is to take its audience on a thrill ride. Mission accomplished. This flick is jam-packed with jump out of your seat moments.

“San Andreas”, with an enormous special effects and stunt team, is state of the art. And it is a sight to behold. Excitement is guaranteed. A special nod goes to film Editor Bob Ducsay for his seamless work.

 The cast which also includes quirky character actor, Paul Giamatti, is likable which makes us care for their survival despite their less than imaginative backstories.

The best thing about this movie is that it runs just under 2 hours.  With its non-stop deluge of comic book danger, the smart filmmakers know when to quit.

“San Andreas” can also be seen in 3D. Save yourself a few bucks and catch it in 2D. With all the action exploding continuously, who needs a brick or two in the face. This film’s major asset is its fine ebb and flow. 3D gimmickry sabotages this effect.  Just stay on the ride until its breathless conclusion. You will smile at the impossibility of the last line uttered by Dwayne Johnson as the American flag unfurls. Not even Brando could make it plausible. But that’s the fun of “San Andreas”.  What could be more appropriate than shaky science in an earthquake movie.